It is currently being used on two feature films with 1 million feet plus footages on each, with no fear of ever running out of processing capacity. With constant upgrades on the software being available we will never be left behind in the technology advances talking place within film making today.

The biggest benefits of Film Fusion are the different lists that it can make, optical, pulling, dupe and cutting that can be sorted into any format i.e. event no, footage, lab roll etc from either an EDL or work print, which means even the biggest and most complicated jobs can be done in a logical and cost effective way. This software will help keep us as the UK's biggest negative cutting company."
 

“The EDL management is particularly good in that it recognises speed changes and produces a complete online EDL that requires no changes other than the title or the odd note.”

 “Moving from our previous system (OSC/R) was easy. We can import OSC/R logs directly into Film Fusion and produce cut lists that contain more usable information than OSC/R lists.”

 “We like the diversity of lists available in Film Fusion. Being able to get a dupe list, an optical list, and being able to create scanning lists for effects at the push of a button is a major plus.”

 “I think the fact that the software was developed by a former negative matcher is important. He has put in all the features that we have always wanted in a negative matching product.”

 “Having used OSC/R for more than ten years, we found Film Fusion a logical step forward. It runs on Windows XP and offers all the features OSC/R lacked.”

 “The industry has changed over the years and is moving toward the digital realm with digital intermediaries and scanning for effects and grading purposes. Film Fusion offers a clear path to this digital future.”

Greg Chapman, Negthink Pty Ltd (Negative Matcher, Sydney)

“We found it (Film Fusion) user friendly and easy to learn. It was stable and offered more versatile logging and production management features than the software we were using.”

 “The screen is not too cluttered or busy. It is easy to find files and access them all from the one screen.”

 “Finally, some software that is keeping us up-to date with the current advances in the industry.”

“The Film Fusion EDL tool highlighted many inconsistencies in the client’s original data which would have been a disaster for their neg cut.”

 “A subsequent overseas feature project was found to have been saved as a 24fps EDL which our NLE could not import. Faced with the prospect of having to manually enter the timecode we imported the EDL into Film Fusion and used the EDL options to clean up the EDL and it then output a perfect EDL.”

 “Although I haven’t had much call to use the Film Fusion cut list capabilities, its EDL management features alone make it an indispensable tool for any serious post production facility.” 

Peter Bradstock, Gunpowder Pty Ltd (NLE & post production, Sydney)